In July 2018,we reportedthatDistrict 9andChappiedirectorNeill Blomkampwas set to helm aRoboCopreboot tentatively titledRoboCop Returns.Ed NeumeierandMichael Miner, were on board to produce and executive-produce, respectively, while writerJustin Rhodeswas retooling a sequel script that Neumeier and Miner wrote decades ago that never came to fruition. At the time, Blomkamp told Deadline:

“The original definitely had a massive effect on me as a kid. I loved it then and it remains a classic in the end of 20th Century sci-fi catalog, with real meaning under the surface. Hopefully, that is something we can get closer to in making of a sequel. That is my goal here. What I connected to as a kid has evolved over time. At first, the consumerism, materialism and Reaganomics, that ’80s theme of America on steroids, came through most strongly. But As I’ve gotten older, the part that really resonated with me is identity, and the search for identity. As long as the human component is there, a good story can work in any time period, it’s not locked into a specific place in history. What’s so cool aboutRoboCopis that like good Westerns, sci-fi films and dramas, the human connection is really important to a story well told. What draws me now is someone searching for their lost identity, taken away at the hands of people who are benefiting from it, and seeing his memory jogged by events. That is most captivating. The other thing I am excited by is the chance to work again with Justin Rhodes. He has added elements that are pretty awesome, to a sequel that was set in the world of Verhoeven. This is a movie I would love to watch.”

District 9 modistrict-9-movie-image-sharlto-copley-and-neill-blomkampvie image Sharlto Copley and Neill Blomkamp

But now it appears that Blomkamp is off the project. He tweeted:

Honestly, this feels like a better mood.District 9came out ten years ago, and in the time since, Blomkamp’s work has felt like diminishing returns, unable to strike the balance between gritty setting, special effects, and social commentary. Additionally,RoboCopthrives because of a satirical edge that Blomkamp doesn’t seem to have in his arsenal. We already got a limp reboot ofRoboCopin 2014. If someone really wants to do justice to the character and his world, they need to make sure they don’t lose the sense of dark comedy and not simply focus on, “It’s sad this guy is now mostly a robot.”

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