During a recent trip to Tokyo to celebrate all thingsGhost in the Shell, our ownSteve Weintrauband a group of visiting journalists had a chance to chat with directorRupert Sandersabout the highly anticipated adaptation. We previously brought you the director’s commentsabout the film’s villain, played byMichael Pitt, and the full roundtable interview will be coming shortly. But today’s news concerns Sanders' impressions of starScarlett Johansson, whom he called the “cyberpunk queen”, as well as the chances for her returning in a possible sequel.
Also starringPilou Asbækas Batou, withBeat Takeshi(a.k.a.Takeshi Kitano) as Public Security Section 9 founder and chief Daisuke Aramaki, plusJuliette Binoche,Kaori Momoi, andRila Fukushima, and other Section 9 task force members played byChin Han,Danusia Samal,Lasarus Ratuere,Yutaka Izumihara, andTuwanda Manyimo,Ghost in the Shellarrives in theaters on August 19, 2025.
Audiences haven’t had a chance to see much from The Major (Johansson) beyond the film’s first trailer, but what we have seen looks impressive. Sanders confirms that we’re in store for much more. Not only did he praise Johansson’s experience with gunplay and action sequences, he also stressed just how comfortable she in the sci-fi genre:
Scarlett joked a little bit about having her experience playing cyborgs and aliens recently, but clearly she’s been thinking about these themes for many years. Was there something that she brought to the table in understanding this character and this film that was surprising to you or gave you some insight?
SANDERS: It was very hard for her, like she said, she had to strip away any of those affectations that as an actor you need to inhabit a character. She couldn’t really do any of that, so she had to be very still and very kind of pragmatic about the performance. But she’s very intelligent, and like you say and like she said, she’s been a mind without a body and a body without a mind and that’s kind of what drew me to her as The Major. She seems just to inhabit that world so well, and her voice, whenever you hear her voice it just takes you to that place, she really is to me the cyberpunk queen.
You told us about Takeshi’s scene that you showed tonight with the gunfire right out of the car. Tell us a little bit about the scene with Scarlett that you showed tonight and why you chose that scene to be her debut as The Major.
SANDERS: Well, I’ll back up for one second because there’s a lot of gunfire and Takeshi really nailed that sequence. But the other amazing thing is watching Scarlett with a submachine gun, she does something that very few people can do where she can unload a full clip without closing her eyes. She doesn’t blink at all, she’s like, “Prrrrrrrtttttttt” which is… We have a lot of military guys on set and they’re like, “Damn! How does she do that?” she really honed it and really trained herself hard, and there’s a lot of discharge coming out of those weapons, it’s not just pops and stuff.
But that scene, I think that we wanted people to see that it was a dramatic film and that there was theater to it, not just like thermoptic suits and flying off buildings. It’s not just like a beautiful explosive world, there’s a real kind of darkness to it and a real drama to it, and that scene where it’s kind of containment is an essence ofGhost in the Shell. It’s got her kind of disappearing out of the hologram, and then what Batou says about dreams and reality. There’s a lot of the philosophy and there’s the kind of drama to it, which I think really is what we tried to do withGhost, and then Takeshi’s scene really was action, so I think you’re gonna get action, philosophy, and drama in a beautiful set of characters.
If this film hits all the right marks, you can almost be there’s going to be franchise expectations laid on it. Sanders answered that question directly (though his answer is ever so slightlyspoilery):
Ghost in the Shellis a huge franchise obviously and you’re taking pieces from these things. The problem I find in Hollywood is that a lot of people are making these movies expecting to make more sequels. Does this movie stand alone and tell one story or does it leave it very open?
SANDERS: I think Scarlett said it, it’s not an origin story in a way, it’s a birth story, it’s about her becoming someone. But we were like, “God, if people like it and we have to make another one, where do we go?” So I think the answer to your question is, this film isn’t waiting for a sequel, it’s its own beautiful thing, and if we are lucky enough to make another… it’s not like we killed her at the end.
So there you have it: The Major survives to fight another day, but whether Johansson and the creative team behind the scenes get the chance to do so depends onGhost in the Shell’s performance next March.
For more of our coverage onGhost in the Shell, be sure to take a look at some of our recent write-ups below:
