I usually enjoy writing this annual article because it allows me to shine a spotlight on performances while also doing fun things like “best kills” or “A very good year” the latter of which highlights an actor or actress who was great in multiple movies in a single year. But 2020 was so miserable that this year it all feels kind of perfunctory. The performances are still great and deserve attention, but it’s hard to even push for certain actors and actresses when this year’s Oscars will be skewed by allowing in movies that run in the first couple months of 2021.
That leaves this list in an awkward position because films likeNomadlandandMinariaren’t due out in theaters until February, but they’ve screened for critics and played at festivals. But I also wouldn’t feel right just sitting on this list until February waiting forJudas and the Black Messiaheven though it’s probable that actors from that film could make the list (instead, they’ll be in contention for my 2021 article).
Ultimately, these superlatives are all kind of meaningless, but great work should be acknowledged, and these actors and director deserve recognition. And as for the villain, well I’m salty about this year, so let me have my fun.
Best Actor
Chadwick Bosemanas Levee inMa Rainey’s Black Bottom
Runners Up:
What a bittersweet gift of a final performance. While there’s a temptation to say that a performance should be honored for a body of work when an actor dies young, even if Boseman were still alive this would be the best performance of 2020. There’s no need for qualifiers or addendums. His turn as Levee is heartbreaking, electric, and counterbalances perfect with Viola Davis’ Ma Rainey. Boseman was a gifted actor, and he was at the height of his powers with his performance inMa Rainey’s Black Bottom. It’s heartbreaking we won’t get to see another one from him, but we can treasure this work.
Best Actress
Carey Mulliganas Cassie inPromising Young Woman
Carey Mulligan has been knocking it out of the park for years now (too many people slept onWildlife), and she delivers a performance for the ages withPromising Young Woman. What makes Cassie work as a character aren’t her sharp edges (although Mulligan plays those with aplomb); it’s the gnawing sadness at the core of her character. Cassie is doomed, not because of her mission of revenge, but because there’s no escaping the guilt and rage that has consumed her because the world is so broken. There’s no way to move on because there’s nowhere to move to, and that fatalism permeates Mulligan’s every action.
Best Supporting Actor
Paul Racias Joe inSound of Metal
This was a close one, and ask me on another day, and it could easily be Ben-Adir’s thoughtful and unique performance as Malcolm X that manages to step out of the shadows of what Denzel Washington did with the civil rights icon. But I sawSound of Metalover a year ago, and I can’t shake what Raci did with his performance. He’s the moral backbone of the movie and a voice of reason that never plays as saintly or untouchable. He communicates lived experience, and that authority is essential for the rest of the film to function.
Best Supporting Actress
Maria Bakalovaas Tutar Sagdiyev inBorat Subsequent Moviefilm
Imagine what it takes to hang with Sacha Baron Cohen in aBoratmovie and matching him beat-for-beat. Bakalova gives the breakthrough performance of the year by not only helping to provide the emotional center ofBorat Subsequent Moviefilm, but also being hilarious as well. A lot of performances are described as “brave”, but there’s real bravery in getting into a room alone with a powerful (albeit buffoonish) individual like Rudy Giuliani and taking it as far as you’re able to because that’s what the movie demands. She’s got an exciting career ahead of her.
Best Director
Chloe ZhaoforNomadland
Chloe Zhao took the beautifully crafted realism that she showed off inThe Riderand then somehow elevated her game withNomadland. In a year where we were all stuck at home in an America that was decaying, she managed to show us the beauty of this country and the people in it. For all of the animosity that our media uses to sow division and create anger for more hate views and hate clicks, Zhao had no problem stepping outside that dynamic to show the beauty of individuals while never romanticizing the societal ills we face. It’s an impossible balancing act, and yet Zhao makes it look effortless. WithNomadlandshe firmly establishes herself as one of the most exciting directors working today.
Worst Villain
The Trump Administration inTotally Under Control
I suppose you could argue that COVID-19 is the year’s biggest villain, but here’s the thing: a virus has no agency. It exists to perpetuate itself and that’s it. It has no motives, cannot be reasoned with, and is basically like a natural disaster. Disasters happen. What matters is how we respond to them, and the relentless negligence, spin, and callousness of the Trump Administration as depicted inTotally Under Controlshows that this year didn’t have to be as bad as it was. With even a modicum of leadership, lives could have been saved and suffering avoided, but that didn’t happen. COVID was a flame, but the Trump Administration’s response is what led to the country being on fire.
Be sure to catch up on all of Collider’sBest of 2020 content.
